More Than a Collector,
An Artist at Heart



I’m Grateful Ned, a collector, listener, and witness to a new paradigm in the digital era. I buy work that feels alive in the network, focusing on art with provenance, communities you can feel, and ideas you can own.
My thesis is simple, modern digital art will mark a societal turn because it solves the three biggests and oldest problems at once: memory, ownership, and reach. Blockchains keep the pen moving so history can’t be rewritten. Tokens anchor support to identity, not gatekeepers. And distribution expands beyond 4 walls… It is now a living graph where a single image can find its true crowd in seconds. "10,000 true fans" can now be achieved and act within the blink of an eye. Curation is an act of citizenship in a new, emerging, and vibrant nation state.
My core believes are simple:
- Gratitude first and always: honestly, I'm just grateful to be here
- Curiosity over ego: I look for work that quiets the clever voice
and wakes the honest one.
- Community over status: wealth is measured in people who would
show up for you.
- Nature as teacher: stillness grows the roots that let wild ideas
bloom.
- Freedom through decentralization: strong art, culture and
communities emerge from open systems.
- Execution matters: ideas are big, but the daily craft is how we pay
our respect.
My core believes are simple:
- Gratitude first and always: honestly,
I'm just grateful to be here
- Curiosity over ego: I look for work
that quiets the clever voice and wakes
the honest one.
- Community over status: wealth is
measured in people who would show
up for you.
- Nature as teacher: stillness grows the
roots that let wild ideas bloom.
- Freedom through decentralization:
strong art, culture and communities
emerge from open systems.
- Execution matters: ideas are big, but
the daily craft is how we pay our
respect.

i ALSO DABBLE IN MY OWN creatIONS
Here is "Transcedence"
WHat we think,
we become








WHAT I COLLECT?
I want to feel something. A memory, a song, an emotion. I look for works that breathe, portraits of miracles, experiments that build new rituals for belonging. If a work helps someone feel more human, it belongs. If it helps us remember we’re alive, it stays close.
WHAT WAS THE FIRST ARTWORK YOU EVER COLLECTED?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
I READ YOUR ARTICLES, WHATS YOUR IN-DEPTH VIEW ON MUSIC NFTS?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
WHAT I COLLECT?
I want to feel something. A memory, a song, an emotion. I look for works that breathe, portraits of miracles, experiments that build new rituals for belonging. If a work helps someone feel more human, it belongs. If it helps us remember we’re alive, it stays close.
WHAT WAS THE FIRST ARTWORK YOU EVER COLLECTED?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
I READ YOUR ARTICLES, WHATS YOUR IN-DEPTH VIEW ON MUSIC NFTS?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
WHAT I COLLECT?
I want to feel something. A memory, a song, an emotion. I look for works that breathe, portraits of miracles, experiments that build new rituals for belonging. If a work helps someone feel more human, it belongs. If it helps us remember we’re alive, it stays close.
WHAT WAS THE FIRST ARTWORK YOU EVER COLLECTED?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
I READ YOUR ARTICLES, WHATS YOUR IN-DEPTH VIEW ON MUSIC NFTS?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
WHAT I COLLECT?
I want to feel something. A memory, a song, an emotion. I look for works that breathe, portraits of miracles, experiments that build new rituals for belonging. If a work helps someone feel more human, it belongs. If it helps us remember we’re alive, it stays close.
WHAT WAS THE FIRST ARTWORK YOU EVER COLLECTED?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
I READ YOUR ARTICLES, WHATS YOUR IN-DEPTH VIEW ON MUSIC NFTS?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
WHAT I COLLECT?
I want to feel something. A memory, a song, an emotion. I look for works that breathe, portraits of miracles, experiments that build new rituals for belonging. If a work helps someone feel more human, it belongs. If it helps us remember we’re alive, it stays close.
WHAT WAS THE FIRST ARTWORK YOU EVER COLLECTED?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
I READ YOUR ARTICLES, WHATS YOUR IN-DEPTH VIEW ON MUSIC NFTS?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
WHAT I COLLECT?
I want to feel something. A memory, a song, an emotion. I look for works that breathe, portraits of miracles, experiments that build new rituals for belonging. If a work helps someone feel more human, it belongs. If it helps us remember we’re alive, it stays close.
WHAT WAS THE FIRST ARTWORK YOU EVER COLLECTED?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
I READ YOUR ARTICLES, WHATS YOUR IN-DEPTH VIEW ON MUSIC NFTS?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
WHAT I COLLECT?
I want to feel something. A memory, a song, an emotion. I look for works that breathe, portraits of miracles, experiments that build new rituals for belonging. If a work helps someone feel more human, it belongs. If it helps us remember we’re alive, it stays close.
WHAT WAS THE FIRST ARTWORK YOU EVER COLLECTED?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
I READ YOUR ARTICLES, WHATS YOUR IN-DEPTH VIEW ON MUSIC NFTS?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
WHAT I COLLECT?
I want to feel something. A memory, a song, an emotion. I look for works that breathe, portraits of miracles, experiments that build new rituals for belonging. If a work helps someone feel more human, it belongs. If it helps us remember we’re alive, it stays close.
WHAT WAS THE FIRST ARTWORK YOU EVER COLLECTED?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
I READ YOUR ARTICLES, WHATS YOUR IN-DEPTH VIEW ON MUSIC NFTS?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
WHAT I COLLECT?
I want to feel something. A memory, a song, an emotion. I look for works that breathe, portraits of miracles, experiments that build new rituals for belonging. If a work helps someone feel more human, it belongs. If it helps us remember we’re alive, it stays close.
WHAT WAS THE FIRST ARTWORK YOU EVER COLLECTED?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
I READ YOUR ARTICLES, WHATS YOUR IN-DEPTH VIEW ON MUSIC NFTS?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
WHAT I COLLECT?
I want to feel something. A memory, a song, an emotion. I look for works that breathe, portraits of miracles, experiments that build new rituals for belonging. If a work helps someone feel more human, it belongs. If it helps us remember we’re alive, it stays close.
WHAT WAS THE FIRST ARTWORK YOU EVER COLLECTED?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
I READ YOUR ARTICLES, WHATS YOUR IN-DEPTH VIEW ON MUSIC NFTS?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
WHAT I COLLECT?
I want to feel something. A memory, a song, an emotion. I look for works that breathe, portraits of miracles, experiments that build new rituals for belonging. If a work helps someone feel more human, it belongs. If it helps us remember we’re alive, it stays close.
WHAT WAS THE FIRST ARTWORK YOU EVER COLLECTED?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
I READ YOUR ARTICLES, WHATS YOUR IN-DEPTH VIEW ON MUSIC NFTS?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
WHAT I COLLECT?
I want to feel something. A memory, a song, an emotion. I look for works that breathe, portraits of miracles, experiments that build new rituals for belonging. If a work helps someone feel more human, it belongs. If it helps us remember we’re alive, it stays close.
WHAT WAS THE FIRST ARTWORK YOU EVER COLLECTED?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.
I READ YOUR ARTICLES, WHATS YOUR IN-DEPTH VIEW ON MUSIC NFTS?
I am drawn to art because it is the most honest form of communication, a universal language that transcends barriers. While other fields offer utility, art provides a crucial, non-linear perspective on the human condition. My focus is on narrative design, utilizing visual metaphor and light to construct worlds that invite a deeper emotional resonance, a pursuit unmatched in pure commerce.














